DOGMA 25

From its origins in Copenhagen in the spring of 2025, Dogma25 is no longer merely a local initiative - it has become a movement that transcends national borders.

Dogma25 is intended as a source of inspiration for anyone who wishes to work in accordance to its principles. However, official certification requires that an established Dogma25 certification framework exists in the country where the film is produced.

Establishing Dogme25 in New Countries

The certification model follows a defined structure. In each new country, the process begins with four to five directors joining forces to formally establish a national Dogma25 initiative.

In collaboration with national producers, they initiate a dialogue with the original Danish founders and develop a strategic roadmap tailored to the specific conditions and film culture of the country.

These pioneers subsequently produce the first Dogma25 productions in the country and, at the same time, become the first to obtain national Dogma25 certification.

Dogme25 certification is currently available in:

Denmark - Dogme25.dk
Germany - ifproductions, x-filme, zentropa

Additional countries are currently in development.

Manifesto

DOGMA 25 is a collective of filmmakers founded in Copenhagen in the spring of 2025. Our stated purpose is to preserve the originality of cinema and the opportunity to create film on its own terms.

The role of the director has increasingly been reduced to that of project manager, the film to a commodity, and the audience to consumers. Experimental practice is stifled by fear of risk-taking, which suffocates artistic exploration and silences unique voices. When films are merely executed and not allowed to evolve organically, it puts the art form in danger of becoming functional, obedient and thereby irrelevant.

In a world where formulaic films based on algorithms and artificial visual expression are gaining traction, it’s our mission to stand up for the flawed, distinct, and human imprint. We champion the uncompromising and unpredictable and we fight the forces working to reduce cinematic art to an ultra-processed consumer good.

By scaling down production, we ensure that everyone on the team has an intimate relationship with the film and its message. This will enhance mutual trust and a sense of collective responsibility for the film and for each other. It also allows us to safeguard the flexibility that is vital in making a creative process dynamic and intuitive, rather than purely executive.

We celebrate DOGMA 95, all the filmmakers who came before us, and those who will come after. We stand together to defend artistic freedom as a shield against pointlessness and powerlessness. DOGMA 25 is a rescue mission and a cultural uprising.

To protect and preserve what we hold dear, we hereby submit to the unflinching and unbreakable set of rules called: THE VOW OF CHASTITY.

The Vow of Chastity

I vow to submit to the following set of rules drawn up and confirmed by DOGMA 25:

1. The script must be original and handwritten by the director. We compel ourselves to write the script by hand in order to nurture the kind of intuition that flows most freely from the dream, channelled through the hand onto the paper.

2. At least half the film must be without dialogue. We insist on a cinematic approach to filmmaking, because we believe in visual storytelling and have faith in the audience.

3. The internet is off limits in all creative processes. We commit to produce the films relying on real people within our physical reality – rather than in a digital one infused with algorithms.

4. We’ll only accept funding with no content altering conditions attached. We assume responsibility for keeping budgets down so the team retains final say in all artistic decisions.

5. No more than 10 people behind the camera. We commit to working in close collaborations to build trust and strengthen our shared vision.

6. The film must be shot where the narrative takes place. Film as an art form becomes artificial and generic when we portray a location in a false light.

7. We’re not allowed to use make-up or manipulate faces and bodies unless it’s part of the narrative. Just as we strive to maintain the authenticity of the location, we also want to portray the human body without a filter. We celebrate it – warts and all.

8. Everything relating to the film’s production must be rented, borrowed, found, or used. We commit to making films using objects that already exist and renounce the ahistorical and self-destructive culture of consumerism.

9. The film must be made in no more than one year. We abstain from any lengthy processes that stand in the way of creative flow.

10. Create the film as if it were your last.